Saturday 18 January 2014

Getting Over Writer's Block: Let Your Muse Show You The Way

By Buffy Greentree


There it is, glaring at you: the blank page symbolising the beginning and end of a project. It tends to cause the near overwhelming urge to crawl back to bed. How does one possibly fight this chillingly blank stare? Unleash your secret weapon. It's time to set your Muse against the fear of the Blank Page.

What is a Muse? Well, in its most basic form, it is someone else to blame. And sometimes that is enough.

Muses are of ancient Greek fame, the nine Muses of the arts. Although they were often portrayed as scantily clad women, inspiring through the arousal of sexual desire was not their primary purpose. Instead, they simultaneously embodied and sponsored the arts, and you could not produce truly great art if the Muses did not chose to grant you the necessary skill and inspiration.

Muses have maintained their place throughout history in various forms, used ever as an entity that bestows inspiration and passion upon an individual (rather than arousing it within them). This is a critical distinction of roles. This way, it's your responsibility to be open and willing to work when the inspiration is given, but it is her/his/its responsibility to give you that inspiration. If you sit down and work, and yet nothing good comes out, well that's not your fault. Your Muse is throwing a sick day. You are, of course, responsible for doing all you can to win over the Fairest Muse of All, but you can't expect any more from yourself than this.

One of the reasons we now have the image of the tortured artist is because we have forced them to internalise this creative element. It is now the writer's fault if they cannot produce inspired work on demand. And this is incredibly stressful, enough to make anyone curl up and whimper. It instils and magnifies the fear of failure that can cripple a writer, and is the cause of a lot of the writer's block in the world. As William Stafford said, "there is no such thing as writer's block for writers whose standards are low enough."

Accordingly, one of the most important and effective exercises for the developing writer is to identify your Muse. This must be something external to you that has the ability to grant you inspiration when it wants, and requires only that you sit down and faithfully work (and maybe write it a sonnet or two in thanks). Then, invisible to yourself, it will infuse its inspirations into your work, and together you will create something great. And if the work you produce is not great? Well, your muse was away at the time.

Take a moment now to discover your Muse. My personal faith works well for me, and you need to find that which works best for you. Give it personality, and characteristics with which you can interact. Sit and make a deal with it: your part is to turn up and start writing on demand (and to woo it on occassion); their part is to bless the process and take responsibility for the outcome.

I have found that cats make good Muses. There is something in their air that suggests they have the ability to grant inspiration. It also explains why they love sitting on keyboards so much. Generally, they have egos big enough to take your successes or failures in their stride.

Perhaps you could imagine your Muse is the spirit of your favourite writer, or perhaps Botticelli's Venus, the spirit of new-born art. Whoever (or whatever) it is, their role is to be an external being, there to assure you of some higher meaning to your work, and to remind you to relax and let the words flow.

As unusual as it sounds, I urge you to undertake this activity right now. Search for an answer that will work for you and has a strong personal meaning. Either real or imaginary, designate someone else to take the pressure and stress of the creative process, so you can just enjoy having fun in your writing. Who knows what it might bring?




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